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Tickets

'Not only Bach' / Polish Radio Choir / Maria Piotrowska-Bogalecka - NOSPR

'Not only Bach' / Polish Radio Choir / Maria Piotrowska-Bogalecka

Polish Radio Choir
Magdalena Hałas
Performers
Teresa Kamińska – baroque cello
Andrzej Zawisza – positive organ
Program
Johann Sebastian Bach
Adagio from Sonata for viola da gamba and harpsichord, BWV 1027 (transcription for cello and organ)
Johann Michael Bach
'Herr, ich warte auf dein Heil'
Johann Christoph Bach
'Wie schön leuchtet der Morgenstern'
Heinrich Schutz
'Rorate coeli desuper', SWV 322
'Nun komm, der Heiden Heiland', SWV 301
Johann Sebastian Bach
'Nun komm, der Heiden Heiland', BWV 699
Johann Christoph Bach
'Lieber Herr Gott'
Johann Ludwig Bach
'Unsere Trübsal'
Johann Sebastian Bach
'Wie schön leuchtet der Morgenstern'
Johann Michael Bach
'Fürchtet euch nicht'
Johann Christoph Bach
'Wir glauben all an einen Gott'
Johann Michael Bach
'Sei, lieber Tag, willkommen'
Johann Sebastian Bach
'Gott, durch deine Güte'/'Gottes Sohn ist kommen', BWV 600
Johann Christoph Bach
'Merk auf, mein Herz'

Although outstanding individuals always walk their own paths, no genius moves in a vacuum. This is particularly true about one as exceptional as Johann Sebastian Bach, whose family was deeply rooted in music. Johann Christoph (1642–1703) was Johann Sebastian’s father’s cousin, deeply respected as a composer and an organist by his contemporaries. His brother, Johann Michael (1648–1694), an organist and a town official in the Thuringian town of Gehren, became the great Leipzig cantor’s father-in-law. As for J.S. Bach’s cousin, Johann Ludwig (1677–1731), he was predominantly active in Meiningen, where he held the posts of cantor and capellmeister. In an exploration of Bach’s predecessors, one cannot forget about Heinrich Schütz (1585–1672): the composer who masterfully introduced elements of the Italian style to German musical culture and created the first vocal-instrumental concertos. Thus, the repertoire is bound with a telling framework, bringing together two most important creators in the history of the German cantata: Schütz, to whom it owes its basic shape, and Bach (born exactly a hundred years later), in whose works it found it most perfect reflection.

[Agnieszka Nowok-Zych, translated by Mikołaj Witkowski]

Duration of the concert: approx. 60 minutes

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Portrait photograph of Wojciech Kilar

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NOSPR in Chamber Mode / Wojciech Kilar – film music
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S2Subscription
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100PLN

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