Swinging Music. Playful Children of Sonorism and Jazz - NOSPR

What's best in the "Polish school": a sensitivity to the richness of sounds not only familiar, but feasible; assertiveness and wild expression. Serocki's Swinging Music is a playful child of sonorism and jazz. In the 1970s, it became a concert hit for the renowned ensemble Warsztat Muzyczny. For the same artists, Henryk Mikołaj Górecki composed Muzyczka IV, juxtaposing condensed fury with an almost choral-like asceticism. From the repertoire of Warsztat, there are also the tenderly embracing diverse sounds of Witold Szalonek's Improvisations Sonoristiques. 

Listening to Paweł Mykietyn's music from the 1990s, one often gets the impression that there's an underlying subtext, a shining background. Some other music emerges from the played sounds. It means something different. Let's not specify what. As Aleksander Nowak writes in his commentary on Quantemporette, "We could create a reality that would be sought in vain within the music itself”... 

Adam Suprynowicz 

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