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Tickets

ECHO Rising Stars / Lucie Horsch / Thomas Dunford - NOSPR

ECHO Rising Stars / Lucie Horsch / Thomas Dunford

Danavan Leeuwen
Performers
Lucie Horsch – flute
Agnieszka Nowok-Zych – compere
Program
Dario Castello
Sonata seconda from Sonate concertate in stil moderno per sonar nel organo overo spineta con diversi instrumenti, Vol. 2
John Dowland
Flow My Tears from The Second Book of Songes
François Couperin
Le Rossignol en amour from Troisième livre de pièces de clavecin
Johann Sebastian Bach
Lute Suite in C minor, BWV 997 (arr. for flute and lute: Lucie Horsch)
Lotta Wennäkoski
Arteria for solo flute [commission of Concertgebouw Amsterdam, Kölner Philharmonie and European Concert Hall Organisation]
Francesca Caccini
Chi desia di saper che cos'è amore
Claude Debussy
Syrinx for solo flute
Anne Danican Philidor
Sonata in D minor from Premier livre de pièces
Marin Marais
Couplets de folies (arr. for flute and lute: Lucie Horsch)

Early music, new music – contrary to appearances, there are more similarities than differences between the two. Composers were opposing tradition and searching for an innovative language in the 17th and the 20th century alike. The basis for the Baroque stile moderno (as used in the title of Castello’s sonata) was the so-called accompanied monody, played on instruments of the performers’ choice (Castello: con diversi instrumenti). Here, these will be the flute and the lute – a duo which, although unusual, remains compliant with the spirit of the era. In Syrinx, Debussy referenced Greek music, as the Baroque era would do earlier. Is the Finnish composer Wennäkoski going to reference it as well, and if so, how? Due to its register and vitality, the flute has been treated in a manner similar to the human voice, hence the transcriptions of Dowland's and Caccini’s love songs in the programme. The bass part of continuo may be performed on the lute, assuming a form as varied as rich is the range of experiences offered by Couperin’s illustrative book, Marais’ variations-based folia and Philidor’s polyphonic sonata. 

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Duration of the concert: approx. 60 minutes

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