Czas na dokonanie płatności: 00:00
This website uses cookies. By continuing to browse without changing your settings you agree to our use of cookies. Find out more in our Privacy Policy.
Tickets
Logo 1 Logo 2 Logo 3 Logo 4

Kammerorchester Basel/ René Jacobs/ Papa Haydn - NOSPR

Kammerorchester Basel/ René Jacobs/ Papa Haydn

Buy ticket Seats
Tickets: 60-120 zł
group photo of the prchestra
Matthias Mueller
Conductor
René Jacobs
Performers
Kammerorchester Basel
Mari Eriksmoen – soprano
Kristina Hammarström – mezzo-soprano
Mark Milhofer – tenor
Christian Senn – baritone
Zürcher Sing - Akademie
Program
Joseph Haydn 
Symphony in E minor No. 44 Mourning
Missa Cellensis in C major, Hob. XXII:5 

René Jacobs is one of the more electrifying figures in the early music circles. For those who do not follow the ideological battles of fans of historical performance practices daily, it may seem surprising how much excitement some of the Belgian conductor and singer's productions generate.  

In half a century of artistic activity, Jacobs has been one of the main protagonists of the early music renaissance. At first, as an excellent countertenor, he specialised in recordings of forgotten works and took part in many enthusiastically received interpretations of works by Bach or Mozart.   

For Jacobs as a conductor, historical treatises and knowledge of past practices can sometimes be the starting point for getting carried away with the free play of the imagination. For some, these ideas are too bold, while in the opinion of others, they make his interpretations closer to contemporary audiences.  

How will it be with Haydn's two comparatively different works? The E minor Symphony took its name, Mourning, from the composer's alleged request that the slow movement be performed at his funeral. However, there is no evidence that it was played at either the funeral or other memorial services for the artist. 

The Missa Cellensis in honorem Beatissimae Virginis Mariae, also known as the Cecilian Mass, is one of two works (or actually three) written for the Abbey of Mariazell, one of the most important pilgrimage points in Austria. The first version of the Mass, composed in 1766, was destroyed in a fire. Therefore, seven years later, Haydn reconstructed the entire work from memory and expanded it into the shape it is known today.  

Szymon Maliszewski 

Concert duration (intermission included): approximately 120 minutes

Co-financed from the funds of the Ministry of Culture and National Heritage of the Republic of Poland

Upcoming events

SKALPEL BAND
Guest concerts
202420:00

SKALPEL BAND

Concert Hall

Last tickets
JazzKLUB / Soojin Suh Coloris Trio / The Korean jazz concept
JazzKLUB / My Season Ticket
202419:30
ensamble group photo

JazzKLUB / Soojin Suh Coloris Trio / The Korean jazz concept

Chamber Hall

Buy ticket
Touring the NOSPR in the Silesian dialect
202418:00

Touring the NOSPR in the Silesian dialect

NOSPR

Music of mindfulness. Hypnotising and transcendental
Choral music / My Season Ticket
202419:30

Music of mindfulness. Hypnotising and transcendental

Chamber Hall

Sold out
NOSPR / Bayona / de la Salle / Great history and the joy of music-making
S3Subscription
202412:00
dyrygent Néstor Bayona

NOSPR / Bayona / de la Salle / Great history and the joy of music-making

Concert Hall

Buy ticket
CHINA MOSES
Guest concerts
202419:30

CHINA MOSES

Concert Hall

Buy ticket
Do 3 razy sztuka - Wacław Zimpel / Holden / Saagara
Guest concerts
202419:30

Do 3 razy sztuka - Wacław Zimpel / Holden / Saagara

Concert Hall

Buy ticket
Heavenly harmonies: The Sixteen / XXXIII Ars Cameralis Festival
Guest concerts
202419:30
group photo of the Sixteen ansamble

Heavenly harmonies: The Sixteen / XXXIII Ars Cameralis Festival

Chamber Hall

Sold out
Kaleidoscope
Kaleidoscope
202409:30

Kaleidoscope

Chamber Hall

Kaleidoscope
Kaleidoscope
202411:30

Kaleidoscope

Chamber Hall

100PLN

We need some details, please
0
Loading