Freiburger Barockorchester - NOSPR
Freiburger Barockorchester
The Freiburger Barockorchester (FBO) is one of today's leading ensemble for historic performing practice. It has had a significant presence on the international music scene for more than 35 years, and continues to set musical standards with its concerts and recordings.
The FBO was founded in 1987 by former students of the Freiburg College of Music. The new ensemble soon became one of the most sought-after ensembles playing on historic instruments, and made an international reputation for itself. The FBO makes regular guest appearances at major international concert venues such as New York's Lincoln Center, the Amsterdam Concertgebouw and the Philharmonie de Paris. Concert tours take the orchestra all over the world, from South America to Australia. At the same time the FBO has its own subscription series in Freiburg, Stuttgart and Berlin, and is a regular guest at major music festivals such as the Salzburg Festival, the Tanglewood Festival in the USA and the Gstaad Menuhin Festival.
The orchestra's core repertoire consists of works from the Baroque and Classical periods, but it also performs works by Romantic composers. Following the principles of historic performing practice, the FBO plays without a conductor for the most part. But for selected projects such as opera performances or orchestral works calling for a large ensemble, it works together with well-known conductors like Pablo Heras-Casado, Sir Simon Rattle or René Jacobs.
The orchestra's artistic directors are Cecilia Bernardini and Gottfried von der Goltz (both violin). Both artists also appear as soloists. In addition, the FBO works together with a wide variety of well-known instrumentalists and vocal soloists, among them Kristian Bezuidenhout, Isabelle Faust, Dorothee Mields, Vox Luminis, the Zürcher Sing-Akademie and RIAS Kammerchor Berlin.
The FBO's exceptional musical diversity is documented on numerous recordings, which have been awarded many prizes, including several Echo Klassik awards, Grammy nominations and the Preis der Deutschen Schallplattenkritik.
