This website uses cookies. By continuing to browse without changing your settings you agree to our use of cookies. Find out more in our Privacy Policy.

Ewa Tracz - NOSPR

Ewa TraczSoprano

photo by Kinga Karpati

A graduate of the Accademia Teatro alla Scala in Milan and doctoral studies at the K. Szymanowski Academy of Music in Katowice in the solo singing class of prof. AM dr hab. Ewa Biegas. She participated in the Young Talents Education Program – Opera Academy at the Grand Theater of the National Opera in Warsaw.
Winner of the 1st Prize in the International Vocal Competition I. Godina Iuventus Canti (Slovakia, 2011), 2nd Prize in the First International Vocal Competition Andrzej Hiolski in Kudowa-Zdrój (2012), 1st Prize in the 3rd Vocal Competition Jana, Edwarda, Józefiny Reszków, Częstochowa (2013), 1st Prize in the category of female voices in the XV Competition of Vocal Art. Ady Sari in Nowy Sącz (2013) 2nd Prize in the 9th Klaudia International Vocal Competition Taev (Estonia, 2015) 2nd Prize in the 5th J. Paderewski Vocal Competition in Bydgoszcz (2015) 2nd Prize in the 9th International Vocal Competition St. Moniuszko (2016) and 1st Prize in the Karol Szymanowski International Vocal Competition in Katowice (2018).
On the stage of the Wrocław Opera she made her debut with the role of Giovanna D’arco in the opera Giovanna D’arco” by G. Verdi (2014) Countess in the opera “The Marriage of Figaro” (2014), First Lady in the Opera “The Magic Flute “(2015), Fiordiligi in the Opera “Cosi fan tutte “ W.A. Mozart (2015). She created Marianna in the opera “Knight of the Silver Rose” by R. Strauss (2014) and Ksenia in the opera “Borys Godunov “ by M. Mussorgsky (2015).
On the Milan La Scala stage, she made her debut with the party of Konstancja in the opera “Abduction from Seraj” in a version for children in Italian WA Mozart (2016), the fairy party in the ballet “Midsummer Night’s Dream” by F. Mendelssohn-Bartholdy (2017), the mother of Gertrude in the opera “Hansel and Margaret” by E. Humperdinck (2017), and Anna’s party in the “Nabucco” by G.Verdi (2017). She made her debut with the Micaela party in the opera “Carmen” (2018) and the part of Ulana in the opera “Manru” by J. I. Paderewski (2018), which she also presented at the Lviv Opera and the National Ukrainian Opera in Kiev. She sang the part of Donna Anna from the opera “Don Giovanni” at the Polish Royal Opera (2019).
During the inaugural concert opening of the new headquarters of the Polish National Radio Symphony Orchestra in Katowice, she performed the “Silesian Triptych” by Witold Lutosławski (2015). We could also hear it during the Inauguration of the NFM season of the Leopoldinum Orchestra in the soprano part of the “Fourteenth Symphony in G minor for soprano, bass, chamber orchestra and percussion opus 135” by D. Szostakowicz (2017).
She improved her skills during numerous courses and vocal workshops conducted by eminent pedagogues and singers such as: Renato Bruson, Izabela Kłosioska, Matthias Rexroth, Eytan Pessen, Niel Schicoff, Anita Garanca, Doris Yarick-Cross, Wiesław Ochman, Helena Łazarska, Luciana D’Intino, George Kunde, Eva Mei.
She has collaborated with such conductors as: Michał Klauza, Nello Santi, Tadeusz Kozłowski, Marc Albrecht, Lukasz Borowicz, Joseph Swensen, Rossen Milanov, Grzegorz Nowak, David Coleman, Keri-Lynn Wilson, Alexander Liebreich, Marco Guidarini, Pietro Mianiti, Michele Gamba, Jacek Rogala, Przemysław naumann, Wincenty Hawel, Adam Klocek, Andriy Yurkevych, Massimiliano Caldi, Warcisław Kunc, Ewa Michnik, Maciej Tomasiewicz, Tadeusz Zathey, Tomasz Tokarczyk, José Ferreira Lobo.


We need some details, please